From design to final shot – a look at the special effects.

FX shot
Dream sequence in ‘All That Remains’ where Takashi Nagai comes face to face with the atom bomb that destroyed Nagasaki.

These last couple of weeks, our main focus in the edit room has been FX work – turning concept art into convincing special effect shots and recreating iconic scenes from archive photos.

Most of the “digital set pieces” are a mix of photographic, live action and computer generated 3D elements.

For the dream sequence pictured at the top of this post, a 3D model of “Fat Man” – the atomic bomb dropped on Nagasaki was rendered to match the exact angle and lighting of the shot. Below, the Fat Man model is prepared for a final render.

A 3D model of "Fat Man"

All the elements for each shot were composited in PhotoShop, the shots were then completed in Adobe After Effects (an industry standard visual effects software) for coloring and final blending of all the elements.

For the shot illustrated above, we worked from an archive photo and built up the atom bombed landscape using a mixture of photographic material and 3D renders. Actor Leo Ashizawa was filmed in the greenscreen studio and superimposed into the scene to recreate an iconic photo of Dr. Nagai.

The above post was originally published on Life Through a Digital Lens .

 As we push on with the final leg of the filming, we’ve decided to launch another crowd funding campaign on Indiegogo, to help cover the costs of getting the last few scenes in the bag.

As we always say, every dollar/pound really goes a long way, so if you can spare a few bob and fancy seeing your name included in the final credits, why not head over to Indiegogo now?

imgres

Family moments…

Midori and Noboru

A cold reception –  Midori visits Takashi’s father.

As April kicks off, we get back to scheduling and preparing to shoot more scenes. This month the focus is on the aftermath of the A-bomb – so there are a lot of grueling days ahead.

During March we concentrated mainly on filming all the “Nagai family” scenes before the Atom bombing, including scenes between Takashi and his father, Noboru.

Noboru was a descendent of a Samurai and the first of the Nagai family to study and practice Western medicine techniques. He was a very influential figure for the young Takashi and encouraged his son to follow in his footsteps by becoming a doctor.

When Takashi converted to Christianity, Noboru however proved to be a staunch traditionalist and was vehemently against it. In fact, Takashi’s decision to convert caused a serious rift between father and son. A rift that was eventually mended by Midori.

Playing the part of Noboru is David Yip, star of the cult 80’s TV show, “The Chinese Detective”. It was a great honour for us to have David on board, and directors Ian and Dominic Higgins were very excited to get the chance to work with him.

“David was the first Asian actor in England to be given a main starring role in a prime time TV show, back in 1981”, explains Dominic, “and our film is also breaking new ground, by being the first Western movie to deal directly with the atomic bombing of Japan, so he seemed a prefect to choice for such an important role.”

“In fact, David remains the only South East Asian actor to have been given the lead role in a British drama,” adds Ian, “so I do hope that our film will now also shine a huge spotlight on the great talent this over looked sector of the acting community has to offer”.

David Yip talks to Ian & Dominic

David Yip talks to Ian & Dominic with producer Nigel Davey

Our Chief Make-up artist Vera Fenlon did a terrific job in helping David ‘step into the character’ of a stern Japanese father. “As a Chinese actor, I was a bit concerned about playing the part of a traditional Japanese father,” Says David, “but after Vera had finished her work, and I looked in the mirror, I saw a Japanese man staring back at me!”.

David Yip in All That Remains

Aided by Make-up artist Vera Fenlon, Chinese actor David Yip plays a Japanese father.

Yuna Shin as Midori Nagai

Yuna Shin as Midori Nagai

David Yip in All That Remains

David Yip in All That Remains

For those of you with access to the “Production Hub”, we’ve uploaded a very special clip that illustrates what a truly remarkable woman Midori Nagai was.

War – up close and personal

surgeon

As we prepare for our next shoot in Mid-March, the scenes we shot in early February are taking shape in our edit suite. The main focus of the February shoot was Takashi Nagai’s personal experiences of war during his service in the second Sino-Japanese War.

Takashi Nagai was called for military service in February 1933. Japan and China had been unofficially at war since 1931. Takashi was sent to China as a medical officer in the 11th Hiroshima Infantry Regiment. He would actually serve two tours of duty in China, the second being in 1937 when the unofficial war finally became official.

Takashi’s personal experiences of the horrors and brutality of war had a profound effect on him and influenced him greatly, so for directors Ian & Dominic Higgins it was important to portray at least some of his experiences in China.

“There’s no doubt that Takashi returned from his first tour of duty traumatised but also far more spiritual”, says Dominic.

“Up until his time in China, he was still the scientist exploring the possibility of life after death and religion through the clinical microscope of science, war changed that”, adds Ian.

The war scenes required the usual attention to detail and planning the directors insist on before cameras roll, which meant storyboarding, pre-visual art and shot lists…

hospital-board_shotlist sc-59-board

During the filming of the war scenes, the directors have kept their cameras focused on the human cost of war and our make-up artists Stephanie Bentham and Jenny Gillings, aided by Birmingham’s South and City college students Donna Woodman and Dolly Karoni, did a fantastic job helping us to bring a sense of reality to the scenes.

Below are some stills from the China war sequences…

war

Takashi1

scared-face

war3

war4

solider3

We’ll be posting an exclusive preview of a very special scene on the Production Hub page soon!

The halfway point! Almost…

150

We’ve been very busy since our last blog….

With more filming set to take place this Friday (the 14th December), we’ve also had two other big filming days since the previous update.

The first was a location shoot that took place in St. Augustine’s Church in Birmingham (UK) a stunning church that made a perfect set-piece for the interior of Urakami Cathedral – the cathedral that was destroyed in the bombing, and whose spire was used to guide the B29 that dropped the bomb on that fateful day.

Once again, the supporting cast were incredibly patient and a joy to work with.

The second shoot was studio based and started with filming the infamous night that Professor Rudolf Peierls turned the theory of an atom bomb into a reality. To play the part of Peierls, British actor Roger Harding underwent a complete physical transformation thanks to the stunning work of our very talented make-up artist Vera Fenlon and her assistant Stephanie Bentham.

“Roger was such a great sport,” says director Ian Higgins, “we asked him if he’d be OK wearing contacts and he told us he’d never worn them before but was completely open to whatever we had in mind – which was a big relief as it was a pretty big make-up job that we had in mind!”

“The make-up looks amazing and Roger literally transformed into Rudolf Peierls before our eyes”, adds director Dominic Higgins.

The remaining first half of the day focused on scenes with the occupying American forces in the aftermath of the bombing, working with American actor Sid Phoenix and British actor Richard Grayson. “Both these guys were very strong actors and great fun to work with, but it was very much a case of knowing the moment we first saw them that they would be right for the roles we had in mind”, explains Ian.

“We first saw Sid in a short film and we knew he was the right actor to play the part of a character we had written – a young American officer who witnesses the devastation of the bombing and later argues to have Dr. Nagai’s seminal book, The Bells of Nagasaki published”, says Dominic.

These scenes also included a short scene with Kayano Nagai, Takashi’s daughter. “We’ve found the perfect little girl to play Kayano in 4 year old Anna Kimura,” points out Ian.

“We were a little apprehensive as it was her first scene and she’s had no previous experience in front of cameras, but Anna was such so relaxed in front of the camera, we got some great shots very easily,” says Dominic.

The entire second half of the day was given over to getting more shots for the bombing scene itself – with supporting cast members undergoing intensive make-up by Vera and Stephanie.

“Vera and Stephanie really helped bring the horror of that day to life again”, says Dominic.

We were joined on both shoots by, hair/make-up and film technician students from Birmingham and South College (UK). As always, the new crew were thrown straight into the deep end from day one – with the hair students getting to grips with period hairstyles for 30 extras.

“The students proved to be a credit to the college and we certainly look forward to welcoming more students to the upcoming shoots ahead”, says Ian.

We were also privileged to have Sir Doug Ellis OBE visit the set, he chatted to both students and production crew and shared some fascinating personal stories of his own experiences in the pacific during WW2. He also offered to make an incredibly generous donation towards the film!  A huge thank you to Sir Doug!

The local press were also there, you can read all about it here.

Also once again, we’d like to say thank you to all who have been so generous during the course of this production, with our most recent crowd funding campaign those who donated have contributed to over half of the money we need. We couldn’t mention the crowd funding campaign without mentioning our great friend and honouree producer Frank Weathers for his very considerable part in helping us achieve the success we have. Thanks Frank!

After Friday’s shoot, we’ll have filmed almost all of the first half of the script which deals with the life of Dr. Nagai before the atomic bombing. Although much of the bombing sequence has now also been filmed, most of the drama scenes that take place during and after the bombing  have not.

“It’s very exciting though to have almost reached the half way milestone!” Exclaims Dominic.

“The second half of the script is the really tough part, with so much of it dealing with the aftermath of the bombing and it’s devastation, so it’ll be nice to have a few days off over Christmas first.” says Ian.

Now it’s back to storyboards, shot lists and organizing, as we prepare to get more scenes in the bag this Friday!

Below are some stills from the last two days of shooting. All behind the scenes photos are courtesy of Phil Pugh.

St. Augustine's church

St. Augustine’s church made a great set piece

Filming at St. Augustine's church

Filming at St. Augustine’s church – Ian and Dominic explain what they’re looking for, while Joel gets the camera set up.

St. Augustine's church

The impressive interior of St. Augustine’s church caught the eye of directors Ian & Dominic Higgins as an ideal location to film the Urakami Cathedral scenes.

Producer Joel Fletcher with crew member Dan Woodward

Producer Joel Fletcher with crew member Dan Woodward

The supporting cast getting ready for a take

The supporting cast getting ready for a take

Ian getting his angle

Ian setting up for a shot.

Producer Nigel Davey making sure everyone is happy.

Producer Nigel Davey making sure everyone is happy.

Ian & Dominic at work

Dominic gets the angle while Ian checks the lighting is just right.

Wardrobe dept.

Monica, by now an expert in fastening a Japanese Obi.

 South and City Birmingham college.

We were joined on both shoots by members of South and City Birmingham college.

Hair dept.

Hair department, courtesy of South and City Birmingham college!

Chris getting to grips with one of our cameras.

South and City Birmingham student Chris getting to grips with one of our cameras.

Make-up artist Stephanie Bentham

Make-up artist Stephanie Bentham making sure American actor Sid Phoenix is “camera ready”.

British Actor Richard Grayson

British Actor Richard Grayson on his way to the greenscreen studio.

Actor Roger Harding

British Actor Roger Harding just about to undergo his make-up transformation.

Make-up Artist Vera at work.

Make Up artist Vera at work.

Roger Harding

Roger has one eye on the part – Roger with his first contact lens fitted.

Filming

Ian and Dominic getting the shot framed.

Ian and Roger enjoy a chat and a coffee

Ian and Roger enjoy a chat and a coffee.

Dominic setting up a shot.

Dominic setting up a shot.

Anna Kimura plays Takashi Nagai's daughter

Anna Kimura plays Takashi Nagai’s daughter. But first, she needed a change of hairstyle…

Anna getting her wig fitted.

Anna getting her wig fitted.

Anna's new hair.

Anna’s new hairstyle!

Ian checks Anna

Ian checks Anna before her first scene.

Anna with actor Sid Phoenix on set

Anna with actor Sid Phoenix on set .

Greenscreen set

Anna and Sid about to film a short scene.

Vera at work

Vera prepares Japanese actress Miwa Saeki.

Make-up team

Students from South and City Birmingham help our make-up artists. Singer/actor Charlie Green also joins the line up as we get ready to shoot more scenes from the day of the bombing.

178

Vera's make-up work.

Vera’s make-up work really brought the horrors of that day back to life.

One of the supporting cast in make-up

One of the supporting cast in make-up.

Sir Doug Ellis on set

Sir Doug Ellis OBE on set, with South and City college principle  Mike Hopkins.

 

The Bells of Nagasaki

The Resurrection scene

On Christmas eve night 1945, from the atom bombed ruins of Urakami Cathedral, the  Angelus bell rang out its message across the wasteland for the first time since that fateful day.

These are the bells that did not ring for weeks or months after the disaster. May there never be a time when they do not ring! May they ring out this message of peace until the morning of the day on which the world ends.” – Takashi Nagai  – The Bells of Nagasaki

This is one of the most important scenes in the film as it represents the ‘story of Nagasaki’ in a few powerful images.

Raising The Bell

It takes faith…

… to raise the bell

Actors, Tanroh Ishida and Mark Roy Tsai get to grips with one of the key scenes in the film, with no props, just an actors best tool, their imagination…

Raising The Bell

Looking down on Urakami…

Christmas Eve

“People say that Nagasaki is famous for persecution and devastation, for it has known much in it’s history. But Nagasaki is not the only place that has experienced both persecution and destruction… The reason Nagasaki is famous, is because it is rebuilt, because it has always survived.” - Takashi Nagai

Once again we would like to give special thanks to Fr. Paul Glynn, Mr and Mrs Yoshida and the people of Nara for their recent generous donations and for their on going support.

We will be uploading a few rough cuts of some of the scenes we’ve been working on very soon to the ‘Production Hub’.

More auditions and more greenscreen…

Last Monday was a busy day – what with holding auditions for the role of Kayano (Dr. Nagai’s daughter and the young Takashi) and the filming of key scenes from the opening sequences!

It was a great day though, well worth every minute and we’ll be announcing our casting decisions very soon. In the meantime, a big thank you to all the parents who brought their children to the auditions.

Also another thank you to our wonderful costume assistant/adviser Kikuko Wall whose help was invaluable, and to Bill Evans, who went the extra mile for us, quite literally!

Actress Theresa Nguyen and hair stylist Jenny Gillings

Actress Theresa Nguyen and hair stylist Jenny Gillings

Japanese actress Kyoko Morita plays Tsune Nagai.

Japanese actress Kyoko Morita plays Tsune Nagai, the mother of Takashi.

Actress Kyoko Morita kindly postponed a trip to Japan for a week so she would be available for our shoot. Not only did she look great in the part – she gave a wonderful performance as Tsune Nagai, the mother of Takashi.

Check out Kyoko’s website here.

Actress Ava Lyn Koh with Kyoko Morita preparing for a scene

Actress Ava Lyn Koh with Kyoko Morita preparing for a scene

The next big shoot will be the “Cathedral scene” on 10th November, which will be filmed at a location in Birmingham. “We’ve found the perfect place for the scene,” explains Ian, “a beautiful church that really has the grand look of a cathedral inside and looks simply stunning on camera”. “We just need to fill it out with as many people as we can”, adds Dominic.

So, once again, we’re looking for members of the Japanese community to appear as extras.  All ages are welcome, both male and female. If you’re interested in doing something a little different on Saturday 10th November, why not come along – it’ll be a fun day for sure! For further details please contact Nigel at daveyfilms@aol.com.

Here’s a video showing some before and after shots from the greenscreen scenes we’ve filmed so far.

Below are a few more stills too showing how the footage we’ve shot so far is shaping up…

Still 1

Still 1

Still 2

Still 2

Still 3

Still 3

Camera’s roll…

Production Room

Production Room

In the week that marked the 67th anniversary of the atomic bombings of Hiroshima and Nagasaki we officially began production on the live action drama scenes, for “All That Remains” (working title).

Production Trailer

Hair, Wardrobe and Make-Up department, courtesy of F.A.T.T.S (Film, Television and Transport Services).

Newest member of the team, Nigel found himself thrown right into the deep end with helping us to organize what is without question, the largest film shoot- in terms of scope and logistics, we’ve ever attempted, Nigel’s risen to the challenge. We are indeed lucky to have him on the team.

Nigel Davey

Nigel on set “Sorted!”

Weeks of preparation went into organizing the ‘atomic bomb shoot’, which is the first of the drama scenes to be filmed. A derelict industrial site in Birmingham (UK) was turned into a set piece depicting atom bombed Nagasaki. It was a perfect location, a football pitch sized land full of rubble and debris.

The site manager and owner were incredibly generous in allowing us free run of the property for the two days. They handed us the keys to the gates and basically said, “It’s all yours!”

On set

A corner of Oldbury Birmingham UK was turned into atom bombed Nagasaki

It was a great shoot thanks to a great crew; everyone was willing to get their hands dirty- just the sort of crew we like to work with! They all did an outstanding job!

Dirty Job

It’s a dirty Job at times

camera operator

Lilian, the youngest assistant camera operator in the history of film

We had a great Special Make-Up FX team who worked from artwork created by directors Ian & Dominic Higgins and archive photos to re-create the “Walking Ghosts” – the victims. We do not intend to make this film in anyway gratuitous, but want our audience to glimpse the horror of that day, the snapshots that are seared into the memories of the survivors.

We also have to give a special mention to the wonderful supporting cast drafted in from the Local Japanese community. They were patient with us and threw themselves into their parts like true professionals. We captured some beautiful performances that at times were very emotional. One of the cast, a lady named, Kikuko Wall, grew up in Hiroshima just after the war and explained that while she was holding the hand of a girl who was playing  a ‘dying victim’, she was connecting with the past. Tears filled her eyes as our cameras rolled.

On set

Preparing for a take

During a short coffee break, Kikuko presented us with a piece of paper that had the lyrics to a song about Hiroshima and Nagasaki and then gave an impromptu performance for the entire cast and crew. It’s a beautiful song and she sung it beautifully, you can see Kikuko‘s performance in the video below .

“No more Hiroshima No More Nagasaki”

Below are some photos from the two day shoot. All of the photos on this page were taken by local filmmaker Phil Pugh- he took some great shots, enjoy!

Noriko

Kikuko talks about growing up in Hiroshima after the war

Bomb Victim

Ian gets an actor ready for a shot

Ian & Dominic on set

Ian & Dominic and Joel plus assistant on set.

Monica

Wardrobe wiz Monica turned out to be very handy with a pair of scissors

Supporting Cast

Two of the supporting cast- they were still smiling at the end of  two very long days.

Bad Hair

Bad Hair day? Another supporting cast member takes it all in her stride.

Make up

One of the Make-up team at work. They did an excellent job for us.

On set

Filming with a supporting cast member

Nikki

Hair stylist Nikki sets to work on a cast member’s hair

Ian and Joel on set

Ian and Joel on set

Rain coat

Joel and Dominic persevering in the rain

woman-and-baby

The youngest cast member at just 6 months old

Joel and Ian

Joel on camera, while Ian gets ready to shout “action!” on the first of the drama scenes to be filmed…

Three ladies

Three supporting cast members wait patiently for us to set up a shot

Ian and Nigel

Ian and Nigel discuss a shot

Nigel, Dominic and Ian

Nigel, Dominic and Ian share a joke with cast

crew-shot

Some of the cast and crew

Photo credits Phil Pugh (c) Major Oak Entertainment Ltd

The shoot attracted the interest of the local press, so it was a great opportunity to generate some free publicity and good timing as we are about to launch a new crowd funding campaign.

You can read the local story here http://www.stourbridgenews.co.uk

Now it’s back to the storyboard… as we prepare for the greenscreen and studio based shoot in London, which will take place during the first two weeks of September!

Recreating “that day” 67 years on…

Nagasaki 1945

Nagasaki, August 9, 1945

Today is the 67th anniversary of the atomic bombing of Nagasaki. So it’s fitting that in just two days’ time, our cameras will roll on filming the harrowing events of that morning in 1945.

Logistically these sequences will be the most complicated as they will involve working with lots of extras and a team of special make-up effect artists in an area the size of a small football field, covered in rubble and timber, and of course, all at the mercy of the English weather.

Using archive photos and storyboards created by the directors Ian and Dominic Higgins, authenticity is the number one concern.

Aftermath boards

Pre-visual artwork for the  A-bomb aftermath sequence

Aftermath board

Previsual reference art for the aftermath sequence

Aftermath board

Previsual reference art for the aftermath sequence

The newest member of the production team, Nigel Davey has been responsible for finding the extras and the location – and he’s done an amazing job!

“When Nigel called us to tell us that he’d found a location that might be ideal, we had no idea just how ideal it would be!” explains Dominic.

“By the time you see these shots in the film, you’ll never believe it was filmed right in the heart of England,” adds Ian.

A big thank you to both the land owner and his very accommodating site manager Alistair for their incredible generosity in allowing our crew such open access and the freedom to do what we need to, in order to best re-create “that day”.

On location

Dominic, Joel, Ian and Nigel on location – August 9, 2012

The Japanese community in Birmingham have also been amazing in their response to our call for extras, far exceeding our expectations.

We’ll be posting some stills here on this blog, so keep watching this space!

Meanwhile, with the latest draft of the script now completed and the cast selected, we’ve decided to upload a few clips from a selection of the auditions we’ve held over the last few weeks to the “Production Hub” section.  For those of you who have access to this area, you can check those out right now!

“We’ve had such a high calibre of performance during these auditions, we’re really looking forward to working with this cast!” says Ian.

“It’s taken a long time, but we now have a cast who will give us exactly what we were looking for, characters you will believe in, characters you will care about.” concludes Dominic.

Filming for the main drama scenes will take place in the first two weeks of September.

A Song for Nagasaki… and Hiroshima.

One of the things we hope to achieve with All That Remains, is to bring the story of the atomic bombings more into popular culture, so more people are made aware of these events.

With that in mind, we thought we’d post a blog about how the atomic bombings of Nagasaki and Hiroshima have been remembered in popular music through the decades…

THE BELLS OF NAGASAKI (Nagasaki No Kane) was written by poet, Hachiro Sato for the 1950 movie of the same name. It became one of the most enduring hits of the decade in Japan and was even played daily on the speakers at the train station in Nagasaki.

 

Wishful Thinking’s HIROSHIMA album was first released in the UK on the B&C label in 1971.

Initially the album made little impact however, in 1978, the album was re-released by Global Records and sold well in excess of 1,000,000 copies in Germany, where it remained in the charts for 41 weeks. It has since gone on to become the 17th bestselling single in Germany since charts began.

In 1990 it provided German singer Sandra with one of her biggest hits, when she released the song on her fourth studio album Paintings in Yellow.

 

ENOLA GAY is a song by British synthpop band Orchestral Manoeuvres in the Dark (OMD). It was written by front man Andy McCluskey and was released as a 7″ single on 26 September 1980. ENOLA GAY reached number 8 in the UK charts and topped the charts in Portugal and other European countries. An early version with a slightly different arrangement appears on the group’s Peel Sessions 1979–1983 album.

 

English punk rock band, Crass released the single NAGASAKI NIGHTMARE on their own label, back in 1981.

 

In 2002 Bryan Ferry released his album Frantic which included the track, HIROSHIMA, written by Bryan Ferry and Eurthmics Dave Stewart and inspired by the 1959 movie, Hiroshima mon amour. It features Jonny Greenwood of Radiohead on guitar.

 

HIROSHIMA-NAGASAKI RUSSIAN ROULETTE was original written and performed by American folk singer, Jim Page. It was later covered by Irish folk singer Christy Moore who in 2007 was named as Ireland’s greatest living musician in RTÉ’s People of the Year Awards.

 

More recently…

A THOUSAND PAPER CRANES is a track from the album, Walking Cloud and Deep Red Sky, Flag Fluttered and the Sun Shined  by Japanese experimental rock band Mono, released in 2004. The album comes with origami paper and instructions on how to fold a paper crane.

The song is inspired by the true story of 12 year old Sadako Sasaki, who after being diagnosed with “atomic bomb disease” (leukemia), turns to her native Japanese beliefs and makes one thousand paper cranes so the gods will grant her wish to be well.

 

A Thousand Suns by American rock band Linkin Park was released on September 10, 2010, under Warner Bros. Records. The album’s title comes from the Hindu Sanskrit scripture, the Bhagavad Gita:

If the radiance of a thousand suns were to burst at once into the sky, that would be like the splendor of the mighty one,”

A quote made famous by J. Robert Oppenheimer in reference to the atomic bomb, which references the numerous apocalyptic themes of the album.

THE REQUIEM/THE RADIANCE/BURNING IN THE SKIES

 

THE RADIANCE (ZWIER.Z. REMIX) OFFICIAL HD MUSIC VIDEO

 

LOST IN AUGUST is a song that deals with the atomic bombing of Hiroshima, from Japanese Electro / Hip Hop / Rock band, 5th Blood.

Contains language that some people may find offensive.

If you know of any other songs about  the atomic bombings then let us know…

The Seamless Art

The painterly look of All That Remains.

As All That Remains will contain lots of archive material spanning from Pre-World War Two Japan to Post atomic bombing of Nagasaki, a lot of effort is going in to cleaning up and restoring these archive shots, and this work has had an impact on the intended visual style of the movie.
Directors Ian and Dominic Higgins are keen to explore ways of seamlessly blending the archive material that we have with any dramatic reconstruction scenes. Ian Explains, “this way, when we cut to the archive shots, during the dramatic reconstructions, the audience isn’t taken out of the drama, and consequently that vital emotional connection isn’t broken”.

“We have lots of amazing archive footage and we want to use as much as possible, but we like the idea that you can’t always tell what is real footage and what are shots that we’ve re-created on computers,” adds Dominic. “Of course, there will still be times when it’s obviously archive material as some of the footage is so badly damaged, but that’s OK, as it’s also part documentary there will still be moments taken from a retrospective point of view anyway– we just don’t want the drama sequences to be punctuated with the sense of distance from an event, that you get when watching old footage.”

“We always like to push the boat out both visually and from a story telling point of view and  I don’t think there’s been a film shot quite like this before, with different elements  blended together and given this pseudo painterly look – the idea of mixing in real people from the time and real recordings of actual events with the reconstructed sequences using actors and CGI this way feels more natural and the scenes will have much more potency,” concludes Ian.

Below are some more stills showcasing the “painterly look” and how it helps blend the different elements together.

Painterly look

Painterly style

Painterly style

Painterly style

Painterly style

Painterly style

You may have noticed there is another link on the menu called Production Hub, which is password protected, well, you may remember when we were running our Indiegogo fund raising campaigns, certain perks promised privileged “peeks behind the scenes” on some of the sequences in progress and other areas of production development/design – well this is where we’ll be posting them.

In fact, we’ve just uploaded a video sequence testing out the painterly/graphic style discussed in this blog – as it is also part of a key sequence in the movie (the atomic bombing) we’re keen to keep it under wraps at this stage, hence it not being posted in the public section of this blog, but for those who purchased the relevant perks, if you haven’t already, you can see it now!

Those who purchased the relevant perks on our indiegogo campaign should have received their passwords to unlock the page.  If you haven’t, then email us here.

You can also check out the personal blog of Ian and Dominic Higgins for more on the techniques and ideas behind the movie.

Follow

Get every new post delivered to your Inbox.

Join 124 other followers