War – up close and personal

surgeon

As we prepare for our next shoot in Mid-March, the scenes we shot in early February are taking shape in our edit suite. The main focus of the February shoot was Takashi Nagai’s personal experiences of war during his service in the second Sino-Japanese War.

Takashi Nagai was called for military service in February 1933. Japan and China had been unofficially at war since 1931. Takashi was sent to China as a medical officer in the 11th Hiroshima Infantry Regiment. He would actually serve two tours of duty in China, the second being in 1937 when the unofficial war finally became official.

Takashi’s personal experiences of the horrors and brutality of war had a profound effect on him and influenced him greatly, so for directors Ian & Dominic Higgins it was important to portray at least some of his experiences in China.

“There’s no doubt that Takashi returned from his first tour of duty traumatised but also far more spiritual”, says Dominic.

“Up until his time in China, he was still the scientist exploring the possibility of life after death and religion through the clinical microscope of science, war changed that”, adds Ian.

The war scenes required the usual attention to detail and planning the directors insist on before cameras roll, which meant storyboarding, pre-visual art and shot lists…

hospital-board_shotlist sc-59-board

During the filming of the war scenes, the directors have kept their cameras focused on the human cost of war and our make-up artists Stephanie Bentham and Jenny Gillings, aided by Birmingham’s South and City college students Donna Woodman and Dolly Karoni, did a fantastic job helping us to bring a sense of reality to the scenes.

Below are some stills from the China war sequences…

war

Takashi1

scared-face

war3

war4

solider3

We’ll be posting an exclusive preview of a very special scene on the Production Hub page soon!

The halfway point! Almost…

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We’ve been very busy since our last blog….

With more filming set to take place this Friday (the 14th December), we’ve also had two other big filming days since the previous update.

The first was a location shoot that took place in St. Augustine’s Church in Birmingham (UK) a stunning church that made a perfect set-piece for the interior of Urakami Cathedral – the cathedral that was destroyed in the bombing, and whose spire was used to guide the B29 that dropped the bomb on that fateful day.

Once again, the supporting cast were incredibly patient and a joy to work with.

The second shoot was studio based and started with filming the infamous night that Professor Rudolf Peierls turned the theory of an atom bomb into a reality. To play the part of Peierls, British actor Roger Harding underwent a complete physical transformation thanks to the stunning work of our very talented make-up artist Vera Fenlon and her assistant Stephanie Bentham.

“Roger was such a great sport,” says director Ian Higgins, “we asked him if he’d be OK wearing contacts and he told us he’d never worn them before but was completely open to whatever we had in mind – which was a big relief as it was a pretty big make-up job that we had in mind!”

“The make-up looks amazing and Roger literally transformed into Rudolf Peierls before our eyes”, adds director Dominic Higgins.

The remaining first half of the day focused on scenes with the occupying American forces in the aftermath of the bombing, working with American actor Sid Phoenix and British actor Richard Grayson. “Both these guys were very strong actors and great fun to work with, but it was very much a case of knowing the moment we first saw them that they would be right for the roles we had in mind”, explains Ian.

“We first saw Sid in a short film and we knew he was the right actor to play the part of a character we had written – a young American officer who witnesses the devastation of the bombing and later argues to have Dr. Nagai’s seminal book, The Bells of Nagasaki published”, says Dominic.

These scenes also included a short scene with Kayano Nagai, Takashi’s daughter. “We’ve found the perfect little girl to play Kayano in 4 year old Anna Kimura,” points out Ian.

“We were a little apprehensive as it was her first scene and she’s had no previous experience in front of cameras, but Anna was such so relaxed in front of the camera, we got some great shots very easily,” says Dominic.

The entire second half of the day was given over to getting more shots for the bombing scene itself – with supporting cast members undergoing intensive make-up by Vera and Stephanie.

“Vera and Stephanie really helped bring the horror of that day to life again”, says Dominic.

We were joined on both shoots by, hair/make-up and film technician students from Birmingham and South College (UK). As always, the new crew were thrown straight into the deep end from day one – with the hair students getting to grips with period hairstyles for 30 extras.

“The students proved to be a credit to the college and we certainly look forward to welcoming more students to the upcoming shoots ahead”, says Ian.

We were also privileged to have Sir Doug Ellis OBE visit the set, he chatted to both students and production crew and shared some fascinating personal stories of his own experiences in the pacific during WW2. He also offered to make an incredibly generous donation towards the film!  A huge thank you to Sir Doug!

The local press were also there, you can read all about it here.

Also once again, we’d like to say thank you to all who have been so generous during the course of this production, with our most recent crowd funding campaign those who donated have contributed to over half of the money we need. We couldn’t mention the crowd funding campaign without mentioning our great friend and honouree producer Frank Weathers for his very considerable part in helping us achieve the success we have. Thanks Frank!

After Friday’s shoot, we’ll have filmed almost all of the first half of the script which deals with the life of Dr. Nagai before the atomic bombing. Although much of the bombing sequence has now also been filmed, most of the drama scenes that take place during and after the bombing  have not.

“It’s very exciting though to have almost reached the half way milestone!” Exclaims Dominic.

“The second half of the script is the really tough part, with so much of it dealing with the aftermath of the bombing and it’s devastation, so it’ll be nice to have a few days off over Christmas first.” says Ian.

Now it’s back to storyboards, shot lists and organizing, as we prepare to get more scenes in the bag this Friday!

Below are some stills from the last two days of shooting. All behind the scenes photos are courtesy of Phil Pugh.

St. Augustine's church

St. Augustine’s church made a great set piece

Filming at St. Augustine's church

Filming at St. Augustine’s church – Ian and Dominic explain what they’re looking for, while Joel gets the camera set up.

St. Augustine's church

The impressive interior of St. Augustine’s church caught the eye of directors Ian & Dominic Higgins as an ideal location to film the Urakami Cathedral scenes.

Producer Joel Fletcher with crew member Dan Woodward

Producer Joel Fletcher with crew member Dan Woodward

The supporting cast getting ready for a take

The supporting cast getting ready for a take

Ian getting his angle

Ian setting up for a shot.

Producer Nigel Davey making sure everyone is happy.

Producer Nigel Davey making sure everyone is happy.

Ian & Dominic at work

Dominic gets the angle while Ian checks the lighting is just right.

Wardrobe dept.

Monica, by now an expert in fastening a Japanese Obi.

 South and City Birmingham college.

We were joined on both shoots by members of South and City Birmingham college.

Hair dept.

Hair department, courtesy of South and City Birmingham college!

Chris getting to grips with one of our cameras.

South and City Birmingham student Chris getting to grips with one of our cameras.

Make-up artist Stephanie Bentham

Make-up artist Stephanie Bentham making sure American actor Sid Phoenix is “camera ready”.

British Actor Richard Grayson

British Actor Richard Grayson on his way to the greenscreen studio.

Actor Roger Harding

British Actor Roger Harding just about to undergo his make-up transformation.

Make-up Artist Vera at work.

Make Up artist Vera at work.

Roger Harding

Roger has one eye on the part – Roger with his first contact lens fitted.

Filming

Ian and Dominic getting the shot framed.

Ian and Roger enjoy a chat and a coffee

Ian and Roger enjoy a chat and a coffee.

Dominic setting up a shot.

Dominic setting up a shot.

Anna Kimura plays Takashi Nagai's daughter

Anna Kimura plays Takashi Nagai’s daughter. But first, she needed a change of hairstyle…

Anna getting her wig fitted.

Anna getting her wig fitted.

Anna's new hair.

Anna’s new hairstyle!

Ian checks Anna

Ian checks Anna before her first scene.

Anna with actor Sid Phoenix on set

Anna with actor Sid Phoenix on set .

Greenscreen set

Anna and Sid about to film a short scene.

Vera at work

Vera prepares Japanese actress Miwa Saeki.

Make-up team

Students from South and City Birmingham help our make-up artists. Singer/actor Charlie Green also joins the line up as we get ready to shoot more scenes from the day of the bombing.

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Vera's make-up work.

Vera’s make-up work really brought the horrors of that day back to life.

One of the supporting cast in make-up

One of the supporting cast in make-up.

Sir Doug Ellis on set

Sir Doug Ellis OBE on set, with South and City college principle  Mike Hopkins.

 

The Bells of Nagasaki

The Resurrection scene

On Christmas eve night 1945, from the atom bombed ruins of Urakami Cathedral, the  Angelus bell rang out its message across the wasteland for the first time since that fateful day.

These are the bells that did not ring for weeks or months after the disaster. May there never be a time when they do not ring! May they ring out this message of peace until the morning of the day on which the world ends.” – Takashi Nagai  – The Bells of Nagasaki

This is one of the most important scenes in the film as it represents the ‘story of Nagasaki’ in a few powerful images.

Raising The Bell

It takes faith…

… to raise the bell

Actors, Tanroh Ishida and Mark Roy Tsai get to grips with one of the key scenes in the film, with no props, just an actors best tool, their imagination…

Raising The Bell

Looking down on Urakami…

Christmas Eve

“People say that Nagasaki is famous for persecution and devastation, for it has known much in it’s history. But Nagasaki is not the only place that has experienced both persecution and destruction… The reason Nagasaki is famous, is because it is rebuilt, because it has always survived.” - Takashi Nagai

Once again we would like to give special thanks to Fr. Paul Glynn, Mr and Mrs Yoshida and the people of Nara for their recent generous donations and for their on going support.

We will be uploading a few rough cuts of some of the scenes we’ve been working on very soon to the ‘Production Hub’.

Camera’s roll…

Production Room

Production Room

In the week that marked the 67th anniversary of the atomic bombings of Hiroshima and Nagasaki we officially began production on the live action drama scenes, for “All That Remains” (working title).

Production Trailer

Hair, Wardrobe and Make-Up department, courtesy of F.A.T.T.S (Film, Television and Transport Services).

Newest member of the team, Nigel found himself thrown right into the deep end with helping us to organize what is without question, the largest film shoot- in terms of scope and logistics, we’ve ever attempted, Nigel’s risen to the challenge. We are indeed lucky to have him on the team.

Nigel Davey

Nigel on set “Sorted!”

Weeks of preparation went into organizing the ‘atomic bomb shoot’, which is the first of the drama scenes to be filmed. A derelict industrial site in Birmingham (UK) was turned into a set piece depicting atom bombed Nagasaki. It was a perfect location, a football pitch sized land full of rubble and debris.

The site manager and owner were incredibly generous in allowing us free run of the property for the two days. They handed us the keys to the gates and basically said, “It’s all yours!”

On set

A corner of Oldbury Birmingham UK was turned into atom bombed Nagasaki

It was a great shoot thanks to a great crew; everyone was willing to get their hands dirty- just the sort of crew we like to work with! They all did an outstanding job!

Dirty Job

It’s a dirty Job at times

camera operator

Lilian, the youngest assistant camera operator in the history of film

We had a great Special Make-Up FX team who worked from artwork created by directors Ian & Dominic Higgins and archive photos to re-create the “Walking Ghosts” – the victims. We do not intend to make this film in anyway gratuitous, but want our audience to glimpse the horror of that day, the snapshots that are seared into the memories of the survivors.

We also have to give a special mention to the wonderful supporting cast drafted in from the Local Japanese community. They were patient with us and threw themselves into their parts like true professionals. We captured some beautiful performances that at times were very emotional. One of the cast, a lady named, Kikuko Wall, grew up in Hiroshima just after the war and explained that while she was holding the hand of a girl who was playing  a ‘dying victim’, she was connecting with the past. Tears filled her eyes as our cameras rolled.

On set

Preparing for a take

During a short coffee break, Kikuko presented us with a piece of paper that had the lyrics to a song about Hiroshima and Nagasaki and then gave an impromptu performance for the entire cast and crew. It’s a beautiful song and she sung it beautifully, you can see Kikuko‘s performance in the video below .

“No more Hiroshima No More Nagasaki”

Below are some photos from the two day shoot. All of the photos on this page were taken by local filmmaker Phil Pugh- he took some great shots, enjoy!

Noriko

Kikuko talks about growing up in Hiroshima after the war

Bomb Victim

Ian gets an actor ready for a shot

Ian & Dominic on set

Ian & Dominic and Joel plus assistant on set.

Monica

Wardrobe wiz Monica turned out to be very handy with a pair of scissors

Supporting Cast

Two of the supporting cast- they were still smiling at the end of  two very long days.

Bad Hair

Bad Hair day? Another supporting cast member takes it all in her stride.

Make up

One of the Make-up team at work. They did an excellent job for us.

On set

Filming with a supporting cast member

Nikki

Hair stylist Nikki sets to work on a cast member’s hair

Ian and Joel on set

Ian and Joel on set

Rain coat

Joel and Dominic persevering in the rain

woman-and-baby

The youngest cast member at just 6 months old

Joel and Ian

Joel on camera, while Ian gets ready to shout “action!” on the first of the drama scenes to be filmed…

Three ladies

Three supporting cast members wait patiently for us to set up a shot

Ian and Nigel

Ian and Nigel discuss a shot

Nigel, Dominic and Ian

Nigel, Dominic and Ian share a joke with cast

crew-shot

Some of the cast and crew

Photo credits Phil Pugh (c) Major Oak Entertainment Ltd

The shoot attracted the interest of the local press, so it was a great opportunity to generate some free publicity and good timing as we are about to launch a new crowd funding campaign.

You can read the local story here http://www.stourbridgenews.co.uk

Now it’s back to the storyboard… as we prepare for the greenscreen and studio based shoot in London, which will take place during the first two weeks of September!

Recreating “that day” 67 years on…

Nagasaki 1945

Nagasaki, August 9, 1945

Today is the 67th anniversary of the atomic bombing of Nagasaki. So it’s fitting that in just two days’ time, our cameras will roll on filming the harrowing events of that morning in 1945.

Logistically these sequences will be the most complicated as they will involve working with lots of extras and a team of special make-up effect artists in an area the size of a small football field, covered in rubble and timber, and of course, all at the mercy of the English weather.

Using archive photos and storyboards created by the directors Ian and Dominic Higgins, authenticity is the number one concern.

Aftermath boards

Pre-visual artwork for the  A-bomb aftermath sequence

Aftermath board

Previsual reference art for the aftermath sequence

Aftermath board

Previsual reference art for the aftermath sequence

The newest member of the production team, Nigel Davey has been responsible for finding the extras and the location – and he’s done an amazing job!

“When Nigel called us to tell us that he’d found a location that might be ideal, we had no idea just how ideal it would be!” explains Dominic.

“By the time you see these shots in the film, you’ll never believe it was filmed right in the heart of England,” adds Ian.

A big thank you to both the land owner and his very accommodating site manager Alistair for their incredible generosity in allowing our crew such open access and the freedom to do what we need to, in order to best re-create “that day”.

On location

Dominic, Joel, Ian and Nigel on location – August 9, 2012

The Japanese community in Birmingham have also been amazing in their response to our call for extras, far exceeding our expectations.

We’ll be posting some stills here on this blog, so keep watching this space!

Meanwhile, with the latest draft of the script now completed and the cast selected, we’ve decided to upload a few clips from a selection of the auditions we’ve held over the last few weeks to the “Production Hub” section.  For those of you who have access to this area, you can check those out right now!

“We’ve had such a high calibre of performance during these auditions, we’re really looking forward to working with this cast!” says Ian.

“It’s taken a long time, but we now have a cast who will give us exactly what we were looking for, characters you will believe in, characters you will care about.” concludes Dominic.

Filming for the main drama scenes will take place in the first two weeks of September.

Because words are all we have, right now…

Yesterday an extremely generous person donated $2,000 to our campaign on Indiegogo! We’ve said it before, but as it’s true, we’ll say it again, every dollar/pound we receive goes a very long way, so a donation like this is a huge leap forward for us.

And so, we thought now would be a good time to pause and say a big thank you to everyone who has so far donated, supported and championed our various campaigns to raise the necessary budget we badly need.

Special mention should go to blogger Frank Weathers for all his support (and donations) since the launch of our first campaign on Indiegogo. Frank’s efforts and enthusiasm have been a crucial part of the successes we’ve had. You can check out Frank’s blog here –

http://www.patheos.com/blogs/yimcatholic/

We couldn’t not also give mention to Fr. Paul Glynn, who has been so helpful and supportive of our efforts, and continues to offer help and assistance, despite not long returning to Australia, having spent several weeks in Japan, raising money for a far more noble and worthy cause than ours, helping the victims of the Fukishima earthquake.

http://maristfathers.org.au/Pages/2011-11-news.html

We’d also like to give a special mention to Mr and Mrs Yoshida from Nara, Japan. After hearing of our desire to find authentic, traditional Japanese clothing, the Yoshida’s have sent us several parcels containing various items of clothing! Not to mention the fact that while we were in Nara, Mrs Yoshida kindly offered to come shopping with us – an offer we gratefully accepted!

Obviously, we still have a way to go until we reach our goal, but for all that we have received so far, and all that we may receive in the weeks ahead, thank you.

Help a ground-breaking  movie get made - 

see your name in the credits!

Help us tell his story

And help us tell his story to the new generation.

http://www.indiegogo.com/All-That-Remains-Phase-3

A message from the heart and the Maria Hibakusha

From day one, we intended this film to be shaped by the people that we would interview, that it would be, as much as possible, Nagasaki itself telling us the story of its heritage and the life story of surely its greatest adopted son. We wanted it to be as personal and real as we could possibly make it.

This is why, the scripting of the drama aspects was kept open for change right up until we returned from Japan and had watched through the hours of interviews that we had captured, and why we’re still in the process of shaping the final draft of the script.

“It’s a fascinating and exciting way to work, “ explained Director Dominic Higgins, “because, even when you’re sitting in the edit room, you don’t quite know where things are going to go.”

“It’s a very organic way of working and the story is telling itself, we’re just fusing the elements together, and then adding modern technology to bring it back to life – and that’s the way it should be for this kind of story”, added Director Ian Higgins.

We were very privileged to have been granted an interview with the Archbishop of Nagasaki, the Most Reverend Joseph Mitsuaki Takami. As the head of the Catholic community in Nagasaki, his voice is crucial to the telling of this story.

 Archbishop Joseph Mitsuaki Takami

Archbishop Joseph Mitsuaki Takami interviewed for "All That Remains".

The Archbishop also introduced us to the “Maria Hibakusha” – the burned head of a statue of Mary from the Cathedral at Urakami. Hibakusha is a Japanese word that literally translates to “explosion effected person” and its scars eerily mirror those of the human victims with its once piercing blue eyes burned out of their sockets. The statue head was one of the most haunting sites that we saw while filming in Japan.

Maria Hibakusha

"Maria Hibakusha" - a silent witness.

In the exclusive video “extra” below, Archbishop Takami explains what the message of Nagasaki is for the world and talks about the Maria Hibakusha.

The Japan experience – Part 1

After an epic 22 hour journey from England to Japan, we took a brief walk around Nagasaki to get a feel for the place, and then had an early night, ready for the busy schedule that awaited us over the next 10 days.

Our first interviews were with Tokusaburo Nagai, the grandson of Dr. Nagai and Fr. Jose Aguilar, an expert on early Christianity in Japan as well as the life of Dr. Nagai. After a look around the small museum dedicated to Dr. Nagai, we set up next door in Nyokodo, the little hut where Dr. Nagai spent the last few years of his life.

Nyokodo today– This is the tiny hut where Dr. Nagai and his two children lived after the atomic bombing.

Takashi in Nyokodo

Takashi Nagai at work in Nyokodo. His body is weak, but his mind and spirit are strong. Perhaps his most remarkable achievement is the sheer volume of books, articles and drawings he produced while confined to a bed.

After so many months researching, it was very strange to be actually sitting in his house, but in order for us to be able to faithfully recreate his story on film; the connection we felt walking in his footsteps was vital.

Our next interview was with Sister Kataoka, a historian with a personal connection to Dr. Nagai – her father was one of his doctors. She came to the interview with mountains of research material to show us. It was a fascinating hour or so.

Next on our schedule was an interview with Archbishop Takami. After the interview, the Archbishop gave us a guided tour of the rebuilt Cathedral. In the shadow of the great cathedral stand several atom bombed scarred statues, silent witnesses to an event that today, we can’t really imagine.

Director Dominic Higgins and producer Joel Fletcher talk with Archbishop Takami on their way to visiting the rebuilt cathedral in Urakami.

The rebuilt Urakami cathedral towers majestically above the trees.

We had an earlier than usual start the next day because we had an 8 hour journey from Nagasaki to Nara ahead of us, where we were to meet Fr. Paul Glynn, author of “A Song For Nagasaki”.

We discovered just before leaving for Japan that Nara was celebrating its 1300th anniversary – as the number 13 played such an important part in our previous film, Finding Fatima, we took this as a good omen.

It turned out that our brief stay in Nara would be amongst the most treasured highlights of our entire trip to Japan.

We’ve had many wonderful experiences working on our previous films, but nothing compares to the welcome we received in Nara. On our first night we had a welcome dinner of Traditional Japanese food with Fr. Glynn and the men of “The Glynn club” washed down with Japanese beer and Sake. Unfortunately we had to cut the night a little short as we had to conduct one of our main interviews – with Fr. Glynn!

Fr. Paul Glynn.

Fr. Paul Glynn, author of “A Song For Nagasaki”.

The next morning we were up bright and early to film the Sunday mass, where many of the parishioners had agreed to dress in traditional Kimonos, and in the case of the women, wearing white veils also.

I don’t think any of us has ever heard hymns sung in such perfect harmony as we did in that mass in Nara. There is something very special and pure about the faith of the Japanese Christians we’ve come across in our research, a deep sincerity, which is both humbling and inspiring at the same time, and this is what we witnessed during that mass.

Fr. Paul Glynn gives communion. Note the beautiful headdresses worn by the women.

During the service, Mrs Okada, a local soprano sung “The Bells of Nagasaki” – the theme song to the original 1950 movie based on the life of Dr. Nagai. The performance was stunning and this was among the most emotional moments of our trip.

Soprano Yumiko Okada gives a powerful rendition of “The Bells of Nagasaki”.

We definitely wasn’t expecting what came at the end of the service. First Mrs. Yoshida, who, along with her husband Andy and Fr. Glynn, had helped arrange everything for our trip to Nara, performed a special welcome dance for us, and then we were asked to stand in front of the altar where we were presented with so many wonderful gifts, including an old Noh play mask (Noh is an ancient Japanese form of theatre).

One of the many gifts we received from the people of Nara was this beautiful Noh mask.

Speaking on behalf of Major Oak Entertainment, director Ian Higgins addressed the parishioners, “We came to Japan to tell the story of one man, Dr. Nagai, but now, we realise this is the story of everyone in this church, of every Japanese Christian who ever lived. It is a story of a faith that survived against the odds, a faith that stands as an example to the rest of the world.”

Below Mrs Yoshida performs the traditional dance.

At the end of service we made a special recording of Mrs Okada singing “The Bells of Nagasaki”, for use in our film. We had a farewell lunch with Fr. Glynn and several of the parishioners before a quick shopping spree for traditional Kimonos, to be used as costumes in the movie. Mrs Yoshida kindly offered to come with us (we would have been lost without her!)

We were very sad to leave Nara so soon – but we had a very demanding and tight schedule, so we set off on another 8 hour journey back to Nagasaki.

Director Ian Higgins stands before a monument honoring the memory of the “Hidden Christians” of Nagasaki.

Major Oak meets the Mighty Oak: In Nagasaki's Glover garden, we found a special Oak tree that had been planted to commemorate Nagasaki City’s participation in the UK-Japan Green Alliance 2002 to celebrate the 100th anniversary of the Anglo/Japanese Alliance. Director Dominic Higgins reads the inscription which states that the tree symbolizes strength, loyalty and longevity.

Appointment with Nagasaki.

Flights are now booked for Nagasaki! We’ll be flying out on November 22nd and arrive on the 23rd. In the meantime we’ve got plenty to organise as it’s going to be pretty full on when we get there with all the interviews and location shots we want to get.

A few days back, we also received some words of encouragement from Baron Alton of Liverpool, who wrote a great article on Dr. Nagai for the Catholic Universe newspaper.

Lord Alton said, “… I wanted to congratulate you on an excellent initiative. Dr.Nagai’s story is deeply moving and affecting and deserves to be told to a much wider audience in the manner you envisage”

You can read the article online at Lord Alton’s blog here:

http://davidalton.net/2011/02/17/nagasaki-the-atomic-bomb-and-takashi-nagai/

The word is getting out – but we’ve still got a way to go in order to be able to raise the funds we need to be able to film the drama sequences and truly do justice to the story of Dr. Nagai and the heritage of Nagasaki.

To show your support point your browsers to –  http://www.indiegogo.com/All-That-Remains-Phase-2?c=activity&a=152526&i=addr

All That Remains at Indiegogo

Thanks to everyone who have shown their support so far!

The movie, the blog.


Welcome to the place where we’ll be posting updates and news on our progress in the making of “All That Remains”, the story of Dr. Takashi Nagai. Here we’ll talk about our ideas, the difficulties we face in telling such an ambitious story, the creative decisions that we make, and give plenty of peeks behind the scenes.

Also, here’s the place to give us some feedback on the ideas, concepts, clips etc that we post, although we have a strong idea of how we will tell the story, we believe that an open mind is the most creative.

Don’t forget – any posts that you like, share them via Facebook, Twitter or your own blog sites!

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