Below is the scene where Prof. Peierls writes up the memorandum which lays out the details necessary to construct a super bomb. This information would lead to the building of Fat Man, the atom bomb which destroyed Nagasaki.
The clip is pre-sound mixed
Our Indiegogo campaign is going great, thanks to everyone who has so generously contributed! Check it out by clicking the link below!
Posted by Major Oak Entertainment on May 9, 2013
http://allthatremainsthemovie.wordpress.com/2013/05/09/fat-man-is-conceived-video-clip/
As a thank you to all those who have been so generous in their donations to the production costs of All That Remains so far, we’d thought we’d share this very special memory from our trip to Japan with you.
When visiting Fr. Paul Glynn, author of “A Song For Nagasaki” in Nara, to interview him for our movie, we did not expect to get such a fantastic welcome, a welcome which included a wonderful meal (washed down with sake) and the above performance by Opera singer Yumiko Okada of the song “Nagasaki No Kane” (The Bells of Nagasaki) which was the theme song for the 1949 movie on Dr. Nagai. We think you’ll agree, it’s a very beautiful and powerful song and a stunning performance by Mrs Okada.
Remember every penny really does go a long way to helping us reach the finishing post! If you have a few dollars to spare and fancy being a part of this amazing project click the link below!
Posted by Major Oak Entertainment on April 30, 2013
http://allthatremainsthemovie.wordpress.com/2013/04/30/nagasaki-no-kane-a-song-for-nagasaki-and-a-thank-you/
These last couple of weeks, our main focus in the edit room has been FX work – turning concept art into convincing special effect shots and recreating iconic scenes from archive photos.
Most of the “digital set pieces” are a mix of photographic, live action and computer generated 3D elements.
For the dream sequence pictured at the top of this post, a 3D model of “Fat Man” – the atomic bomb dropped on Nagasaki was rendered to match the exact angle and lighting of the shot. Below, the Fat Man model is prepared for a final render.
All the elements for each shot were composited in PhotoShop, the shots were then completed in Adobe After Effects (an industry standard visual effects software) for coloring and final blending of all the elements.
For the shot illustrated above, we worked from an archive photo and built up the atom bombed landscape using a mixture of photographic material and 3D renders. Actor Leo Ashizawa was filmed in the greenscreen studio and superimposed into the scene to recreate an iconic photo of Dr. Nagai.
The above post was originally published on Life Through a Digital Lens .
As we push on with the final leg of the filming, we’ve decided to launch another crowd funding campaign on Indiegogo, to help cover the costs of getting the last few scenes in the bag.
As we always say, every dollar/pound really goes a long way, so if you can spare a few bob and fancy seeing your name included in the final credits, why not head over to Indiegogo now?
Posted by Major Oak Entertainment on April 17, 2013
http://allthatremainsthemovie.wordpress.com/2013/04/17/from-design-to-final-shot-a-look-at-the-special-effects/
As we prepare for our next shoot in Mid-March, the scenes we shot in early February are taking shape in our edit suite. The main focus of the February shoot was Takashi Nagai’s personal experiences of war during his service in the second Sino-Japanese War.
Takashi Nagai was called for military service in February 1933. Japan and China had been unofficially at war since 1931. Takashi was sent to China as a medical officer in the 11th Hiroshima Infantry Regiment. He would actually serve two tours of duty in China, the second being in 1937 when the unofficial war finally became official.
Takashi’s personal experiences of the horrors and brutality of war had a profound effect on him and influenced him greatly, so for directors Ian & Dominic Higgins it was important to portray at least some of his experiences in China.
“There’s no doubt that Takashi returned from his first tour of duty traumatised but also far more spiritual”, says Dominic.
“Up until his time in China, he was still the scientist exploring the possibility of life after death and religion through the clinical microscope of science, war changed that”, adds Ian.
The war scenes required the usual attention to detail and planning the directors insist on before cameras roll, which meant storyboarding, pre-visual art and shot lists…
During the filming of the war scenes, the directors have kept their cameras focused on the human cost of war and our make-up artists Stephanie Bentham and Jenny Gillings, aided by Birmingham’s South and City college students Donna Woodman and Dolly Karoni, did a fantastic job helping us to bring a sense of reality to the scenes.
Below are some stills from the China war sequences…
We’ll be posting an exclusive preview of a very special scene on the Production Hub page soon!
Posted by Major Oak Entertainment on February 24, 2013
http://allthatremainsthemovie.wordpress.com/2013/02/24/war-up-close-and-personal/
This Monday and Tuesday we’re shooting more scenes and that means we’ve been hard at work these last few days with plenty of planning and preparation. Before any shoot, we design the scenes. We do this by using storyboards and shot lists.
When it comes to the storyboarding we opt for 3D software as opposed to the traditional hand drawn ones, as the software we use allows us to work with “virtual” cameras and lights, meaning we get to test out different ideas with camera angles and lighting set-ups well in advance of the filming dates.
Using 3D software that utilizes virtual cameras, lights and actors (even if they sometimes resemble mannequins) really helps bring a scene to life.
For those of you who have access to the “Production Hub” we’ve uploaded the storyboards for the up-coming shoots.
Posted by Major Oak Entertainment on February 3, 2013
http://allthatremainsthemovie.wordpress.com/2013/02/03/the-filming-gets-back-underway/
Wasting no time at all, directors Ian and Dominic Higgins have been busy at work in the editing room since the New Year began, cutting a “special extended preview” of All That Remains.
“We’re very excited with how this film is shaping up and we really wanted to let everyone who has supported us and everyone who has contributed to the making of this film up until now, see for themselves, the results of all the hard work so far”, says Dominic.
“Although we have a lot of work ahead and plenty more scenes to shoot, the trailer will give a really good impression of the scale of this project and the vision behind the scale,” adds Ian.
The trailer will premiere in 9 days’ time on our official Facebook page, but if you have access to our Production Hub, you can watch it right now!
Posted by Major Oak Entertainment on January 16, 2013
http://allthatremainsthemovie.wordpress.com/2013/01/16/coming-soon-a-special-extended-preview/
On Christmas eve night 1945, from the atom bombed ruins of Urakami Cathedral, the Angelus bell rang out its message across the wasteland for the first time since that fateful day.
“These are the bells that did not ring for weeks or months after the disaster. May there never be a time when they do not ring! May they ring out this message of peace until the morning of the day on which the world ends.” – Takashi Nagai – The Bells of Nagasaki
This is one of the most important scenes in the film as it represents the ‘story of Nagasaki’ in a few powerful images.
It takes faith…
… to raise the bell
Actors, Tanroh Ishida and Mark Roy Tsai get to grips with one of the key scenes in the film, with no props, just an actors best tool, their imagination…
Looking down on Urakami…
Christmas Eve
“People say that Nagasaki is famous for persecution and devastation, for it has known much in it’s history. But Nagasaki is not the only place that has experienced both persecution and destruction… The reason Nagasaki is famous, is because it is rebuilt, because it has always survived.” - Takashi Nagai
Once again we would like to give special thanks to Fr. Paul Glynn, Mr and Mrs Yoshida and the people of Nara for their recent generous donations and for their on going support.
We will be uploading a few rough cuts of some of the scenes we’ve been working on very soon to the ‘Production Hub’.
Posted by Major Oak Entertainment on November 8, 2012
http://allthatremainsthemovie.wordpress.com/2012/11/08/the-bells-of-nagasaki/
Last Monday was a busy day – what with holding auditions for the role of Kayano (Dr. Nagai’s daughter and the young Takashi) and the filming of key scenes from the opening sequences!
It was a great day though, well worth every minute and we’ll be announcing our casting decisions very soon. In the meantime, a big thank you to all the parents who brought their children to the auditions.
Also another thank you to our wonderful costume assistant/adviser Kikuko Wall whose help was invaluable, and to Bill Evans, who went the extra mile for us, quite literally!
Actress Theresa Nguyen and hair stylist Jenny Gillings
Japanese actress Kyoko Morita plays Tsune Nagai, the mother of Takashi.
Actress Kyoko Morita kindly postponed a trip to Japan for a week so she would be available for our shoot. Not only did she look great in the part – she gave a wonderful performance as Tsune Nagai, the mother of Takashi.
Check out Kyoko’s website here.
Actress Ava Lyn Koh with Kyoko Morita preparing for a scene
The next big shoot will be the “Cathedral scene” on 10th November, which will be filmed at a location in Birmingham. “We’ve found the perfect place for the scene,” explains Ian, “a beautiful church that really has the grand look of a cathedral inside and looks simply stunning on camera”. “We just need to fill it out with as many people as we can”, adds Dominic.
So, once again, we’re looking for members of the Japanese community to appear as extras. All ages are welcome, both male and female. If you’re interested in doing something a little different on Saturday 10th November, why not come along – it’ll be a fun day for sure! For further details please contact Nigel at daveyfilms@aol.com.
Here’s a video showing some before and after shots from the greenscreen scenes we’ve filmed so far.
Below are a few more stills too showing how the footage we’ve shot so far is shaping up…
Still 1
Still 2
Still 3
Posted by Major Oak Entertainment on October 29, 2012
http://allthatremainsthemovie.wordpress.com/2012/10/29/more-auditions-and-more-greenscreen/
The first phase of the filming is now complete, and many key scenes from the first half of the script are now in the bag.
We still have a lot of work ahead of us, but it’s a good time to look back and see just how far we’ve come with this project.
It’s been two years of hard, hard slog- research, research and more research, endless script rewrites, an outpour of storyboards and production artwork, countless hours spent fund raising… Long days and sleepless nights, but we’ve been driven by a passion to make this happen.
Most of the filming is now taking place in a location in Birmingham. We were lucky to find a perfect location for our shoot. Everything we need is literally on one site, studio space for our greensceen set-up, catering facilities, a coffee and tea area for cast and crew to relax and even a hotel to put up the cast members who were sleeping over. And with the beautiful Lickey Hills on our doorstep, what more could we ask for?
For most of the cast this is their first real experience of working with greenscreen, which brings new challenges for them and an exciting vibe to the set.
Getting ready for a take
We’d like to give special thanks here to, Tomasina Scott, Kikuko Wall and Sheila and Bill Evans.
Sheila and Bill have been amazing to us during our shoot, when they haven’t been preparing wonderful food for the cast and crew, they’ve been coming to rescue in the props department!
On the last day of this part of the shoot, our cast and crew had the choice of enjoying authentic Japanese cuisine, courtesy of a local Japanese lady, Tomasina Scott. Interestingly we learnt that Tomasina grew up in Hiroshima and that her mother was there the day the first bomb was dropped. A big thank you to Tomasina for spending the day with us and for preparing all that delicious food!
Once again we have to thank, Kikuko, a very special lady, who came all the way from Telford to bring us a suitcase full of beautiful Kimono’s for us to use on set.
From left to right – Kikuko, Sheila, Yuna, Meg and Tomasina
The second phase of filming, which will concentrate mainly on scenes after the bombing, will take place in late October/early November.
In the meantime though, there’s plenty of work to do with the footage we’ve now got, as most of it has been shot in a greenscreen studio, meaning the sets and locations have to be added, and then there is the “grading” process – the part where we give the film its unique look. We’ve added a few stills of shots we’ve worked on below, to illustrate the work that goes into creating the final images you’ll see on screen.
Below are some stills from our first week’s shoot, enjoy! All behind the scenes photos by Phil Pugh.
Nicholas Lu-Fong plays Makoto Nagai
Nicholas gets into the part with a new haircut
Leo (Takashi), Nicholas (Makoto), and Yuna (Midori)
Wardrobe department
Actress Yuriri Naka undergoes a two hour make-up session to play an atom bomb scared victim
Actress Meg Kubota and lead actor Leo Ashizawa enjoy a coffee and a chat
Dinner, East meets West. A local Japanese lady brought a Japanese banquet to the set. Special thanks also to Sheila and Bill Evans for the splendid food they made for us on the day
Ian and Leo discuss Character
Nicholas is proving to be a natural in front and behind the camera
Dominic painting with Light
Directors Ian & Dominic show cast and crew some of the shots they’ve been working on
Two crew members stand in for our cast as we set up a shot
Cast and crew
Posted by Major Oak Entertainment on September 23, 2012
http://allthatremainsthemovie.wordpress.com/2012/09/23/greenscreen-shoot-week-1/
With the first few days of filming now complete, we thought it was time to introduce you to some of the main cast.
Leo Ashizawa is Dr. Takashi Nagai
Leo Ashizawa is Dr. Takashi Nagai. Leo is an actor with great screen presence and charisma. Two qualities that help make him so well suited to the role of Takashi.
Check out Leo’s personal website here.
Yuna Shin is Midori Nagai
Yuna Shin is Midori Nagai. From her first audition, Yuna seemed to be the perfect choice for the role of Takahi’s faithful wife, Midori. Yuna brings a great emotional depth to the role.
Check out Yuna’s website here.
Meg Kubota is Tsumo Moriyama
Meg Kubota is Tsumo Moriyama. Meg is a very experienced actress who brings a great a presence to her role as Midori’s watchful mother. She is an actress who is capable of producing beautiful subtle performances.
Dai Tabuchi is Sadakichi Moriyama
Dai Tabuchi is Sadakichi Moriyama. From the moment we first saw Dai perform at the audition, we knew he would be perfect for the role of Midori’s father, a man who exudes warmth, compassion and sensitivity.
Junichi Kajioka is prof. Suetsugu
Junichi Kajioka is Professor Suetsugu. Junichi is an actor with lots of experience under his belt, having starred in the recent Chinese blockbusters City of Life and Death and Flowers of War, with Christian Bale (check out directors Ian and Dominic Higgins’ review of City of Life and Death here). With his tireless enthusiasm, he was not only great fun to have on set; he also created a very memorable professor Suetsugu on camera.
We were also very lucky to be able to have the chance to work with up coming actor Tanroh Ishida who, having not long finished work on a new Keanu Reeves movie and a Cameron Diaz/Collin Firth vehicle, is just about to head off to Hollywood yet again, to test for another major new feature film.
There are many more great actors involved in this production, of course, and we’ll be introducing those in a future blog – so be sure to stay tuned!
With a filming schedule that will run into November, there’s a lot of work ahead, but directors Ian & Dominic Higgins are very excited with how things are shaping up. “We’ve captured some great performances so far and we’re looking forward to sitting down and watching back over it all, while we prepare the next shoot”, explains Dominic.
“We now know for sure we have the right cast for the parts, and look forward to the rest of the filming”, adds Ian.
Posted by Major Oak Entertainment on September 14, 2012
http://allthatremainsthemovie.wordpress.com/2012/09/14/meet-the-cast/
------------------- Everyone who donates $15 or more will see their name in the end credits!
